Results 1 – 19 of 19 Angiolo Mazzoni Del Grande and a great selection of related books, art and collectibles available now at Angiolo Mazzoni thinks, designs and manufactures among the most intelligent architectures that fascist regime has never given birth. Ferrara – Palazzo delle Poste – Arch. Angiolo Mazzoni. Pitture di Giannino Lambertini. La scultura di San Giorgio oltre i bassorilievi sul soffitto e nelle.
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Angiolo Mazzoni – Wikipedia, la enciclopedia libre
Italian RationalismFuturism. Angiolo Mazzoni was a prolific state architect and engineer of the Italian Fascist government of the s and s.
He designed hundreds of public buildings, post offices and train stations during the Interwar period in Italy. He was born in Bologna, later angioli to Rome with his parents and returned to the Academy of Fine Arts, Bologna for his education. In Mazzoni practiced for about a year under Marcello Piacentini.
The following year he was engaged as an engineer with the Special Section of Railway Workers in Milan, then rose to a position in the newly formed Ministry of Communications inproducing significant independent work by Politically astute, Mazzoni also joined the National Fascist Party in He owed much of his success and influence to his intimate connections with the Fascist regime, and played a decisive role in using architecture to consolidate positive images of Fascism.
The Fascist regime engaged in a comprehensive national program of public works. As chief architect for the Ministry of Communications and for the State Angolo, both key modernizing sectors of Fascist rebuilding programs, Mazzoni designed many of them.
Italy still contains hundreds of his large mwzzoni small railway and telecommunications buildings, extant and functioning, a tribute to his mastery of robust, hard-working construction. In many of these he collaborated with architect and engineer Roberto Narducci. Mazzoni’s relationship with Fascism made it politically difficult for subsequent scholars to acknowledge his importance.
Construction on his major commission, the vast Roma Termini railway station, was suspended in wartime Italy and redesigned by others after the Fascist defeat. Other important buildings angiolp Mazzoni were crudely altered or demolished in the post-war period. His own personal advocacy of Fascism worked against his legacy, even after the end of World War II when he voluntarily exiled himself in Bogota, Colombia until Stylistically eclectic, Mazzoni joined in to the so-called “second angilo of the Italian artistic movement Futurism, signing in the Manifesto of Aerial Architecture with F.
Marinetti and the journalist Mino Somenzi, architectural evolution of the futurist aeropittura. Throughout his work, his stylistic approach varied dramatically, from the overtly bombastic and classical to the angillo modern.
In every case, his handling of composition, solids and voids, light and shade, surfaces and materials, was originally conceived, spirited, poetic, erudite, strong, and full of conviction. Angiolo Mazzoni Change this.
Change this Rome, Italy bornBologna.